Anyone who have ever been in A place of powerfulness will state you that those who are not always believe they can “wag the dog”.

For those of you who don’t cognize what the term “wag the dog” intends here’s a definition. A domestic dog have a tail. The dog, being the ruler of the domestic domestic dog body, wits its tail. You see the tail which may deflect from the domestic dog since it is the tail that is moving. It’s also evident that the tail is important. After all, it’s putting on a show.

However, the tail is still portion of (and subservient to) the dog. It is totally foolish for the tail to believe that it can wit the dog. So the domestic domestic domestic dog necessitates the tail to set on the show but without the dog, the tail wouldn’t be at all.

Would the dog dice without the tail? No. But many times “tails” acquire overly caught up in their show. They bury what their powerfulness depends on. They bury where they came from. They believe that they can wit the dog. And so it is with Pixar.

I love Pixar. I love Disney.

Pixar necessitates to take serious attentiveness to their position. The Walt Disney selling machine is perhaps the most formidable amusement selling machine to ever exist. As a veteran soldier and natural marketer, I routinely wonder at its powerfulness and comprehensiveness. It is truly a thing of beauty. An ideal illustration to any seller no substance how experienced.

Now you may be familiar with the look “If you construct a better mousetrap, the world will beat a way to your door.” Arsenic one who marketplaces and sells many merchandises I can state you that statement is completely false.

People attention more about your selling and your bringing system than the quality of your product. Don’t believe me? Check this out then.

Think of the best beefburger you have got ever had in your life. Now inquire yourself if it was better than a McDonald’s hamburger. I’ll stake you it was.

Now inquire yourself if the place you had that great beefburger sells more than beefburgers than McDonald’s. I’ll stake you they don’t.

So why makes McDonald’s sell more beefburgers than a thousand places that do a better hamburger? Answer: they have got got a selling and bringing machine 2nd to none.

And so makes Disney.

Consider the Walt Walt Walt Walt Walt Walt Walt Walt Walt Walt Walt Walt Disney machine if you’re not familiar with it:

Television – The Disney Channel (1 & 2); ESPN; ABC; Toon Disney;

Radio Disney – countrywide radiocommunication network

Theme Rosa Parks – Disney World; Disneyland; Disneyland Paris; Disneyland Tokyo

Disney Cruise Line

The Disney Shop – concatenation in every major promenade in the United States and the world

Every merchandise or event that Disney desires to advance is disseminated continually throughout this full web with no holes barred.

And all these Disney selling machine parts have the Disney brand, known, loved & followed by millions around the world.

So Mr. Jobs, set your pridefulness & greed aside and see what you would really be giving up if you left Disney. If you necessitate more than ammo for your stockholders observe the following:

Even the mighty Steven Spielberg, Saint David Geffen & former Walt Walt Disney head Jeffery Katzenberg have got not been able to beat the Disney machine. This despite the fact that Steven Spielberg is perhaps one of the top originative endowments to ever walk the face of the Earth and have a echt Midas touching with films. Even with this superior talent, the SKG jazz band have not been able to beat the Walt Disney machine.

And let’s not bury the tanking of the Antz and Chicken Run movies, their dramatic projects notwithstanding (Mel Gibson, Jennifer Lopez, Sharon Stone, Danny Glover). Asset their selling (area of great and indispensable profits) performed even worse.

So to all our readers out there, don’t ever do the error of thinking that because your merchandise is great, you’ll sell dozens and be a selling success. The cardinal to success is having a comprehensive selling machine and a consistent bringing machine. These parts necessitate to work cohesively and cover as many avenues as possible.

And for those of you who have got a strong partner, proprietor or the like, don’t attempt to wit the dog.

Toli Cefail

Atlantis – A Myth to Cover-up Our Roots:

We have seen Troy and the Hyksos Sea People were A-Mu in the time of Troy III, and we know that 'A' in Greek reverses the meaning of a word when used as a prefix; this adds another possibility to the issue of who the Hyksos were and whether the Phoenician 'Brotherhood' was still the main purpose of these people at this time. The civilization of Mu or Lemuria ('the Mu people', in French) had gone to a watery grave during the end of the last glacial stage. The Chinese word for grave or perhaps the end of Mu in another context is 'Mu', with another of those pesky accents that I especially deplore when typing. Thus A-Mu might mean 'not in the grave' or 'not dead'. Or was this an indicator that the Royal House of Mu (in far off Peru at this time, or watching Peru from Mayan lands) was re-asserting itself? Demanding more of the spoils of the drug trade that modern forensics (Balabanova) has proven was in the Mediterranean, with Peru's unique coca plant providing great profit and control.

The archaeological record has not settled who the combatants in this Trojan War really were and where the 19 battles were; anymore than we know for a fact where Punt and Kush or even Mt. Sinai of the Bible really was. We have constructed a good guess that combines recent archaeology and the nuraghi of the Shardana, as well as Ashkelon and Sybaris ‘finds'. They join all the many things that archaeology has provided. The Hittites were Kelts and so were the descendants and/or Hatti ancestors of Sargon - Phoenicians (followers of Finn and the Fianna of Ireland). The record makes it clear it was more than just a battle in Ionia and the four hundred year Dark Ages that followed may well have something to do with a cessation of trade with places like the Americas. The walls of Jericho came down in the same year the walls of Miletus (the all important sons of ML or Mil) fell. It was 1200 B.C. per the archaeological record. The evidence for much of history as we have been taught it is pretty much limited to propagandists, and the Egyptologists quoted in National Geographic's April 2001 article by Rick Gore on the ‘Pharaohs of the Sun’ correctly say anyone writing about Egypt is writing fiction at this time.

My research has continued to find support for MacDari in many meaningful ways but I can't say I am certain Ogham is the original language even though Marshack’s lunar calendar and notations dated to 15 - 30,000 years ago in Iberian Spain are good evidence. Chanting and other spiritual art and symbols certainly pre-date any Kelt with the Haplogroup X genetic marker of this same time frame. The Mungo Man was not known to me when I got deeply involved in this exploration. This small hominid was thoroughly modern almost twice as long ago as Homo Sapiens sapiens. These people found in Australia may well have taught the Phoenicians a great deal and they may have been the pygmies who worked in the Upper Mississippi copper mines with their Phoenician 'brothers'. Barry Fell traces the skeletal remains of the pygmies of this North American region and the Mound Builders to S.E. Asia. They were more valuable than a ship load of gold in the court of Hatschepsut the Egyptian Pharaoh Queen of the pre-Trojan War era who is likely Hyksos herself.

This letter 'm' (Found in the Urumchi or Altaic regions near Ulan Bator which Col. Churchward said was a major Mu site.) and 'Mu' might show an Asian root but I recently found words from Lao Tzu to make me wonder. The "Brotherhood" was worldwide and I find exciting evidence almost every week to confirm it. Huna is the language of Hawaii where the Kahuna are able to walk on molten lava. Their knowledge is Druidic and a person who should know told me the last true Druids are there. Here we see the goddess 'An' or 'Anu' and the government and social norm is very egalitarian to this day. Reversing of Anu and adding the aspirant 'H' would tell us something if we cared to be speculative. This language was just made into an alphabet by Max Freedom Long in the last few decades. It is very spiritual and able to create Pineal 'buzz' and spiritual attunement just as chanting will achieve. Who can say how soon hominids began to dance and sing or chant? Perhaps even before we were hominid, just as we learned about what food was edible like animals including your pets know.

But no member of the elite club or 'Gods of Archaeology' will be seen writing about the existence of Mu and few even broach Atlantis in the last century. The facts are now over-whelming and we cannot provide them all in one book or even ten. There is an archaeological team in Tiahuanaco/Titicaca finally going underwater to look at Puma Puncu or whatever the fisherman have been tying their boats to for millennia. The canals here are like the ones in Pohnpei of the Pacific except they are miles above sea level. Recent research says the Pyramids of Caral are a century older than the ones in Giza but we'll see that is questionable when we look more closely at Giza. We have mentioned the new site off the westernmost tip of Cuba that might have Luwian script of Cretan origin. All these sites are part of the worldwide civilization(s). All of them are more important than Thera. Yonaguni near Japan is now joined by another megalithic site nearby. It has a large human head in stone. Yonaguni could be 17,000 years old or as little as 7,000 but it hasn't been reported on in North America. This TV program did mention Cayce and Bimini but it didn't include the Bahamas or the excellent work of Andrew Collins that connects these to Cuba. I hear another TV program has done that recently.

Zimbabwe has similar stonework to the Aran Islands off the coast of Ireland and the motif in Zimbabwe looks a lot like the Greek symbol of jagged lines. Peru's flag includes a similar motif. The Zimbabwean wall may relate to the mines of Namihiacl dated to 45,000 years ago, which are located nearby, and the White Lady of Brandberg in her Minoan garb is there too. Who are the Tamils and Ainu related to? In fact the mere suggestion that there is any one site for Atlantis is part of the continuation of the Flat Earth pedagogy of the Catholic inspired Dark Ages and Inquisitions. Just ask Galileo how close he came to being burned if he wouldn't go along with the Monsters. These monsters are not at the edge of the earth - they still control it! Pope John Paul II is a good man who has done the right thing when he apologized for nearly 2000 years of "heinous acts" in 1999. He asks for "forgiveness and renewal" while no woman priest or bishop exists in his foul domain that sees them admitting they helped the Nazis get out of Germany to take over South America (Chomsky's general comment). They talk out of both sides of their orifices simultaneously. After they were forced to admit the Pope who never ex-communicated Hitler was involved in this Underground Railroad to South America they wrote a book making him appear to have saved Jews from concentration camps. It is all far too much to stomach, for me. Why aren't they taxed and who ever gave sovereign nations the right to make it so women can't be educated?

The egalitarian Kelts continued to support and enable their women in places like Ireland and the Romuva of Poland/Lithuania long after the Council of Carthage in 397 A.D. that formalized the scapegoating of women in this ugly monster that has perpetrated the most heinous acts known to man. They knew how to stop the plague but saw it 'fit' their 'sins and demons' feudal power grab. See the work of William of Rubruck as he visited The Khan in his Altaic region and saw them quarantine and clean after Marmots or black rats were in the area. It is now known this plague happened in cycles over many millennia. Paracelsus cured the town of Stertzing, Austria in 1524 while the North America remnants of the "Brotherhood" were dying by the millions. Why do cancer cures of long standing like pig’s pancreases, or Wilhelm Reich's "orgone" energy go into the same flames that saw books burned at Kristallnacht? History is still repeating itself.

I think we can see the Mu Royal Family escutcheon on the cheek of the mummy we see with the red hair from the Tarim Basin. What does this mean? Was the Mu Royal family "Red Heads" too; just as those burned and winnowed to the wind at the graves of Osiris and other gods of similar origin throughout the Mediterranean during the Hyksos period (see Frazer's Golden Bough and the reports of Plutarch and others.)? Churchward said the white man came to Europe from North America's Mayax. In Prehistoric Worldwide Import of the Great Lakes we showed the Mississippi was the backbone of the ore trade. It was the most pure and empowering potential weapon or tool for the "Brotherhood" for many millennia. This nearly universal symbol of the sun with four primary forces has the added four secondary forces.

But what was the real insight Churchward drew his knowledge from and why have many of his factual representations been unverifiable? Even more importantly is the question of why his observations have borne such verifiable later proof; if he got his insight from the record of Lhasa who may appear as a king at the time of Solomon in South America. All the books of Churchward's research are not hidden in some Tibetan monastery. The zealous destruction of libraries like the Alexandrian one protected by the Gnostic Gaedhils whose 'brothers' in Ireland saw St. Patrick personally burn over 150 hand drawn books at places like Bangor is unforgivable. It is here that many early Christian saints were educated. It could also be a tattoo drawn on this person's face to signify death and prepare him for the afterlife where Mu now resides.

Now that we know humanity has been here for millions more years than we thought just a couple of years ago - will historians stop the cave man crap? Neolithic civilization was not 'primitive' or any more barbaric than the Roman Arena. Churchward is vindicated in his S. E. Asian Pacific culture even though the continent didn't exist. The land was inundated and the Yonaguni, Pohnpei and other artifacts of such a civilization do exist. The Flores Island artifacts of human hunting from 825,000 years ago greatly buffet his assertions as does the Mungo Man. No other archaeologist or historian has been able to find as much subsequent proof to support their theory, to my knowledge. However, he did not have all the facts we have today. Maybe the scholars who deny the existence of Yonaguni, or won't consider the Tiahuanaco precision earthquake resistant stonework that seems poured in place to make angles. Maybe they are right and I am stupid. I see no way to make sense of their history when I view the facts. I do know anything is possible and I will continue to see what it is they are saying beyond "Europe is the Best and the Bible is the truth."

When I read Francis Fukayama’s 'The End of History and The Last Man', I was shocked. To see a U.S. Policy Deputy who has moved up the ladder to the 'think tanks' talk about absolute religions. His open and forthright presentation bears the scrutiny of any intellectual and most average scholars would find it well-reasoned. It boils down to the same neo-Platonic 'top-down' Machiavellian management of people with little or no concern for empowerment of the soul and people. His title is ironic. We might well be facing just what it says. You must experience rage or revulsion. We all must act to throw out the nobility and bureaucrats who believe man can't aspire to the heavens and conquer inner space. This ethic of Brotherhood and the immortality of the soul was central to the Keltic Creed and the Indians (blood 'brothers') who counted coup to show their skill and respect for life. Machiavelli stated the nobles should appeal to the basest urges of humanity. They have done this by fostering a 'trickle down' competitive Malthusian model of negativity called global materialism. Creative use of resources would make all people including the very rich - richer by far! We don't need interpreters for god - she is inside all things and especially the human soul.

Misdirection is the art of distracting the audience while you perform your 'secret move' without being spotted. Some think it is more important to get 100% correct than your patter. After all, if you can misdirect well enough, your trick can go completely wrong and the audience will never know!

It is essential to 'control' your audience's thoughts and eyes - you should not give them the opportunity to think "how does he do that" or to see your subtle move.

This is easily accomplished on stage with careful use of lighting, props, assistants and pyrotechnics. However, for the majority of us, we need to use misdirection when standing less than a metre away from the audience.

You can control the audience with a wide range of techniques. Start by positioning them in a suitable place. This is especially important in tricks where angles are important, such as the Balducci Levitation. Once they are in a suitable position, you can start concentrating on the more subtle forms of misdirection.

Eye contact is essential - you should always monitor your audience - sustain eye contact while you are doing 'your move' (so you can execute your move with perfect timing, knowing that they are looking at your eyes). If you believe someone may see your move, make a larger move with another part of your body - you may cough, itch your face, wave your magic wand, put something on the table... the list is endless.

You can also misdirect the audience by allowing time from the 'secret move' to the point where the audience is made aware that something has happened. This is perfectly demonstrated in the Cross Cut Force

It is possible to develop your routine to include the necessary distractions. Try to think of what would naturally be done at the time when you need to misdirect. It would be stupid to toss a coin when doing a card manoeuvre, but tossing a coin would be natural if you are in the middle of a coin routine. Once mastered, your routine should leave the audience entertained by the magic you have just performed, and the fact that they don’t know how it is done leaves them mystified, thinking about your performance, and possibly, your next performance!

'Every grownup life could be said to be defined by two great love stories. The first - the story of our pursuit for sexual love - is well known and well-charted. The 2nd - the story of our pursuit for love from the world - is a more than secret and shameful tale. And yet this 2nd love story is no less intense than the first.' Thus talks Alain Delaware Botton writer of the idea provoking book Status Anxiety. In this twenty-four hours and age, we are given regard in direct proportionality to our (perceived) "success". It is like a calibration, for the world to make up one's mind how much regard they owe us. So despairing are we for status, it is the over-riding concern of our lifetimes to accomplish position and respect. Increasingly, position in the Occident have been awarded in relation to fiscal achievement. The effects of high position are pleasant. They include resources, freedom, space, comfort, time and, as importantly perhaps, a sense of being cared for and thought valuable – conveyed through invitations, flattery, laughter, respect and attention.

High position is thought to be one of the high-grade of earthly goods. For this reason, we worry whenever we are in danger of failing to conform to the ideals of success laid down by our society. We worry that we may be stripped of self-respect and respect, we worry that we are currently occupying too modest a rung or are about to fall to a less one. We might not worry so much if position were not so difficult to accomplish and even harder to keep over a lifetime. Except in societies where it is fixed at birth and our venas flowing with solid blood, our place hangs on what we can do of ourselves; and we may neglect in the endeavor owed to stupidity Oregon an absence of self-knowledge, macro-economics or malevolence.

From failure will flux humiliation: a corroding consciousness that we have got been not able to convert the world of our value and are henceforth condemned to see the successful with resentment and ourselves with shame. The problem with United States in peculiar is the belief that if you work hard, you will be proportionately blessed with fiscal success. The converse side of this coin is that if you miss fiscal succes, you simply don't rate it. Of course this neglects to take into business relationship the kinetics of macro instruction economic systems in which national wealthiness is not necessarily a mental representation of the those who individually share in this success.

I believe the job in our competitory societies today is that the more than than than than we acquire, the more hard we will be to please, yet at the same time the more hard it will be to accomplish position (simply because there is more to "wade through" before arriving at the peak. In modern societies if one is born into desperate poorness it is very very hard to "wade through" everything that stands in the way, and the more than than comfortable society goes the more there is to wade through). The analogy is a waterfall. The people at the top are comfortably safe. Those int he in-between volition either sink of swim and are struggling to remain in the same place, desperately afraid of being sucked down and equally determined to attain range the top. Those at the underside of the falls simply have got no chance.

I was once told that there are three possible solutions to most problems, money, a miracle or to simply change the paradigm. In the lawsuit of position anxiety, only two of those volition work out it. Perhaps we should take a leafage out of the Buddhist book, and instead change our position and realise the ultimate futility and mortality of our existence. The job you see, only bes because we utilize society as our mirror. If we stopped and set it all in perspective, we might change ours. Way to avoid stress:

1. Perspective. This is probably the most important. Volition this job affect you in a few days, in a year, or in the long term? If it doesn't impact your overall or long term felicity it probably doesnt substance that much.

2. The solution won't fall out of the sky. Miracles don't go on anymore. When faced with a challenge it is best sometimes to take the bull by the horns and trade with it as opposing to ignoring or postponing your action.

3. Priorities. What is most of import at the time? By prioritising, you will come up to realise that you can only effectively cover with one job at a time. Defeat each job in chunks.

4. Life plan. It sounds awfully platitude but without a program you will simply float about constantly changing tack, never settling on a single course. Success at anything come up wtih forbearance and persistence.

5. Set realistic goals. Success is relative to outlook over achievement. If you do your outlooks realistic you are less likely to be disappointed. Don't construct palaces in the sky.

6.Relax! Simply take some time out once in a piece to review and set things in perspective.

Movies are a enormous beginning of amusement for most people. The reason? It’s probably because even people who have got small in common tin happen a film to bask together.

The moviemakers apparently understood the demand to make movies that entreaty to a broad audience. Otherwise, the good cat wouldn’t take time out in his chase of the bad cats to buss the girl. The miss wouldn’t acquire herself in a wreck that needed a epic deliverance before she got her guy. And – perhaps the most obvious illustration of all – the sketches wouldn't have got such as great wit that entreaties to the grownups almost as much as the children.

Technology have played an of import function in broadening the entreaty of most movies to embrace a wider audience. See the movies of a half-century ago. There were spacemen on World and tellurians in space, but the scenes were usually very apparent and the almost everything was left to the imaginativeness of the view. Today, the views are larger than life, futuristic scenes are more than incredible than the norm imaginativeness could have got got conjured on its ain and the stunts are unbelievable – because they are humanly impossible.

But even when we’re observation a stunt that can’t possibly have happened in existent life, we’re awful and astonied and can’t delay to see it again. And again. And that’s the beauty of the film experience today. Not only are there thousands upon thousands of movies to watch, many are available to buy, rent or download onto your PC. You can ticker them as often as you want, shelve them for awhile and watch them again.

While engineering is playing an of import function in the movie-making process, it’s also of import for film watching. The fact that many movies are now digital data files on DVD lets moviemakers to use a countless of particular characteristics into the film data file itself. Surround sound is one of those particular characteristics and if you have got a place theatre set up with environ sound, you’ll be able to hear the particular personal effects just like you make at a commercial theater. Ever inquire how it is that a door squeaks to your right, while a adult female shouts to your left? The reply is environ sound engineering and a DVD have ample space to hive away those sorts of scheduling features.

You and your partner will probably never hold on every single movie. But with the many film statute titles available for you to lease or ain either on DVD or to download to your computer, it’s likely that you’ll happen something that you both privation to watch tonight. And maybe even something that you both privation to watch again. And again.

© Copyright 2005 by Rickia Sanders. All rights reserved.

The first time I heard George Winston play back in the early 1980's I was blown away. I didn't know why I liked this music. All I knew was that it made me feel good and that was enough. I didn't even play piano back then but something about this music seeped into me almost haunting me. The way he let the notes ring out and wasn't concerned with pop flavorings. A new sound for the time.

When I began to play piano, I wanted to know how he did it. How did he create this music? I read somewhere that his method was to create the chords first, then improvise a melody over them. Great, but what chords and how do you know where and when to play them?

I then realized that George wasn't really doing anything radically different than most classical composers who think in sections. Composing is all about using the techniques of repetition and contrast. Now in most of Winston's music, there is a lot of repetition going on with the contrast coming from the melody. The chords are repeated in certain patterns, the melody played on top, but there still is a framework operating here.

For example, if we take 8 measures of music and call it a (A) section, we have composed. We have taken chords, put them into some kind of order (no matter how tightly or loosely) and have composed. It takes a certain skill to keep the music fresh after a certain number of repetitions. This skill has to be practiced. It can not be taught. This is a doing operation. You can listen to music, but to learn improvisation and composition, you must do it.

Now the secret is this: You may repeat a section as many times as your interest remains with the music. As soon as you become bored in your improvising, so will the listener. For most, having one section isn't enough therefore we bring in the (B) section. This could be anything from 4 to 8 bars of new material. This new material is also repeated and eventually we return to the (A) section. When you start to think in sections, you can unlock the mystery of most music.

Vision Music United States is a proactive and progressive music service house with the involvement of their clients the drive military unit that brands them successful. President Josh Jacob Epstein and chief executive officer Dent Stamoulis are focused on helping the Mugwump people to keep control of their calling by economy them time and their hard-earned dollars. Josh took some time from his busy twenty-four hours to speak to me about their growing company.

MuzikMan: How did you and Dent meet? What involvement and ends did you share that brought you together? What are your backgrounds and what measure ups you to supply all of these services to Mugwump artists?

Josh: Dent and I met in Boston. I was working as the Publicist at the Mama Kin Music Hallway co-owned by Aerosmith. Dent and I care very much about music and musicians. Both Dent and I have got always wanted to work in music. Specifically, we desire to work on our ain terms. Individually we have got worked with people who care more than about money then actually helping artists. We have got seen difficult working musician’s be deceived by operators posing as true professionals. Our end is to have and run a company that is a true resource for independent musicians. We both convey very specific endowments to our company. Vision Music United States is Dent and Josh. A major prerequisite to gaining employment with Vision is to share not only our beliefs but our work ethic.

What measure ups Dent and I to help others with their callings is our ability to associate to the artist. We have got both spent respective old age in the trenches, similar to difficult working musicians. Dent and I have got worked in respective key facets of the music industry (booking, radio, marketing, creative person development, promotions, management, etc). As the Showcase Coordinator for the NEMO Music Showcase and Conference Iodine evaluated over 2,000 sets and musicians. I recognition my ear for music and my oculus for critiquing fourth estate kits to that conference. We chose to work with independent instrumentalists for many reasons. One, with our aid they might not be independent for long. Two, we have got always wanted to supply the resources independent sets necessitate to take their career’s to the adjacent level. This is what is so exciting. This is what do going to work a pleasure. It’s knowing that you are making an contiguous impact in someone’s career.

MuzikMan: Where did you acquire the name Vision Music USA? How long have got you been in concern and how makes an creative person cognize that you are the existent trade and really a “No Bullshit Firm” that you profess to be? Bash you have got existent testimony from clients that supports that statement?

Josh: Vision is simply the people ain vision. It is where they comprehend their calling is headed. This is all before we start with them. Once we start with an creative person we take their vision to the adjacent level. Vision Music United States have been in concern for about two years. “No bullshit firm” is Nick’s idea. It is very true. It intends that we don’t give the creative person the runaround. We cognize how of import their time is. We see it as a privilege to be working with the people we do. An creative person sees this when the two proprietors of the company are constantly involved or supervising their project. We are very proud of our testimonials. When our clients take the time to show their felicity with our work it truly do our day. All of our client testimonies are on our website.

MuzikMan: What haps if a peculiar creative person is not satisfied with something you have got done, what is your recourse?

Josh: The client is always right. I learned that at an early age from my male parent who owned a clothes store. We do our clients experience like family. If there is a job with a part of a service we make our best to pacify the situation. Dent and I will always happen an amicable solution for both parties.

MuzikMan: Are you both available to pass on with on the telephone or by e-mail during normal concern hours? How long makes it take you to react to a clients query?

Josh:e are very busy. However, we are very accessible. Dent and both give our electronic mail computer addresses out freely. If we are busy, our process is to go back all phone calls in 24 hours. For the most part, most people contact us and our employees via email.

MuzikMan: What made you do up one's mind to take the chance, discontinue your twenty-four hours jobs, and make this a full time gig? Most people are not willing to take that chance, what do you different?

Josh: We both knew it was going to work. We have got set infinite hours of time into Vision Music USA. We experience that we have got an advanced idea. We supply services to those who necessitate it. Additionally, our services are very be effective. This isn’t A acquire rich speedy scheme. Dent and I are interested in making money long term while helping musician’s achieve their individual goals.

MuzikMan: What can an creative person anticipate to acquire in tax return for all of your services? What is the end for each specific client?

Josh: First and foremost, we are consultants. It is our occupation to customize a client’s service to suit their needs. With our assistance, the creative person will have got a far greater apprehension of where they stand up and where they necessitate to go. For example,if an creative person purchases a Press Kit Development bundle we completely review their original work. After this review we give them the urge suggestions they need. We indicate the creative person in a way they are comfortable with. The end is to convey them more than acknowledgment and do the fourth estate kit more effectual for the artist. Each client’s ends are assessed on a custom-made basis. This is our philosophy.

MuzikMan: Where makes Vision Music United States desire to travel from here?

Josh: We would wish to keep our growth. We will be developing more than merchandises and services for our customers. It is of import to Vision Music United States to keep and continually develop human relationships with other companies. We have got got a few other thoughts but that’s another interview.

MuzikMan: Make you both feel that eventually labels will not be and all people will have complete control of their work in the facets of production, statistical distribution and promotion? A batch of that is happening on the Internet right now, make you believe it’s A good thing? Are there some drawbacks to this extremist going from the position quo?

Josh: If people can make things on their ain that was never possible, then travel for it. Artists should have got more than control over their ain work in general. I believe the cyberspace is amazing. Considering what I make for a living. I experience there are too may people who don’t fully understand what a record trade is. Too many people believe getting signed is the goal. I believe it should be the start.

Take your Career to YOUR adjacent degree with Vision Music USA!

Vision Music United States is a true independent musician’s resource!

Some services include: Artist Development, Booking, Merchandise, Graphic Design,Website Design, cadmium Duplicate and much more!

Sir Roy Strong, the distinguished English historiographer and former manager of the Queen Victoria and Prince Albert Museum in London, have ridiculed the telecasting programme ‘I’m A celebrity… Get me out of Here!’ in a recent article in ‘The Daily Mail’.

“It made we experience utterly ashamed to be British”, helium lamented. For those of you lucky adequate not to cognize what this programme is about, allow me explain. It takes a figure of people and sets them in an unreal situation. In the up-to-the-minute series they were dropped in the Australian jungle and set through a figure of ordeals such as as having insects poured on their heads! As always there was a mixture of personalities with the accent on immature people of the opposite sexual activity being together. These could be relied on to utilize bad language, take off most of their clothing or even have got sex.

Sir Roy deplores that “the state of Purcell, Shakespeare, Isaac Isaac Newton and Winston John Churchill had sunk so low. It’s not just that so many people watched ‘I’m A Celebrity’ (14 million) and the vacuous behavior of its victims, but that they actually gloated over such as puerile jokes in their homes.”

Although Sir Roy Strong is an distinguished historian, it is hard to understand his surprise at Fourteen million people gloating over this gibberish. When he mentions to “the state of Purcell, Shakespeare, Isaac Newton” you have got to giggle. When did the bulk of English Language show any involvement or love of William Shakespeare (endured at school by the majority) or the classical music of Henry Purcell or the scientific theories of Newton? Anyone with any familiarity with English Language people will cognize that these are the involvements of the few, even the elite.

This is precisely the problem. On the 1 manus we have got an elite who bask these cultural pursuits, and on the other the huge bulk who are glued to their telecastings watching ‘I’m A Celebrity’ Oregon soap operas such as as ‘Eastenders’. However, as an historiographer I am certain Sir Roy is aware of the beginning of this job in the educational system at the end of the Victorian period.

The Victorians did not promote instruction among the working masses. They were employed in awful statuses in unsafe factories, on low reward on the farms of large landholders and in practical servitude in domestic service. Added to this there was the changeless demand to fill up the ranks of the regular army and naval forces to keep the biggest empire in the world. In 1870 an Education Act was passed allowing all children between 5 and 10 to travel to school. However, as their parents had to pay a little fee, most children did not attend. Only in 1891 when instruction was made free for children under 10 did the bulk travel to school. Even then many did not, as their parents were mediocre and they preferred to direct them to work to gain income for the family.

The rich Victorians were happy with an uneducated underclass which they could command politically. The bequest of this educational exclusion of the bulk goes on to the present twenty-four hours in England. Hence, the appetency for trashy telecasting programs such as as ‘I ‘m A Celebrity’. I am afraid Sir Roy, the bulk of English Language were always philistines. The Victorian bequest have proved too powerful to undo.

© Toilet Lynch 2004

Most of the guitar lovers playing guitar for few old age but still unsatisfied with their progress. They experience like still stand up at the starting point and can't bask their playing. This mainly caused by most of them don't construct up a strong foundation at the begining. I establish that some of the guitar scholars even just playing guitar for one to two old age but are more than better than so many that playing for over five years. This is the foundation problems. Me myself was an illustration when I started playing guitar long time ago.

The secrets of learning guitar are mostly basal on the foundation.To have got got a good foundation for future success,we necessitate three of import factors :-

1.Listening:

Ear preparation is a MUST basic preparation that every guitar scholar should have. But most of them avoid this as quite a deadening and time-consuming job. Without a good listening, we are not able to travel to higher level. To defeat this problems, I propose that guitar scholars may take one of the well known Ear Training software system on internet. I establish that there are few really good software system that volition improve your hearing measure by measure and really FUN. You experience like playing game when you learn.

2.Daily practice: (Both fingers and ears)

Daily pattern is another of import thing we should do.(Ex.fingers exercises, pattern for the basic scales)
I propose that novices pattern PENTATONIC scales of measurement of measurement at the starting point because this scales of measurement are the most simple scales that lone have got 5 tones. Try to drill 20 to 30 proceedings daily. Remember that even just 20 proceedings of RELAX and CONCERNTRATION daily pattern is more than effectual than few hours of unconstant practice.

3.Look for a teacher:

You may happen either private guitar instructor or guitar lessons on internet. For my opinions,learn guitar from cyberspace maybe better because of the convinience of time and cheaper. There is just one inquiry of learning from cyberspace that what lessons to choose, what lessons are really work. Myself as a guitar lover have got been playing guitar for 15 years.

I make the research on guitar lessons from cyberspace over 5 old age for myself and my groups. I've spent a batch of money for it. Recently I just built up my ain small web page telling guitar lovers a few good guitar lessons that really work and would wish to share with all of you.

If you are interested to larn guitar, delight visit my website at
www.geocities.com/bestguitarlessons/bestguitarlessons.html and expression at it yourself.

Regards,

What is it with these performing artists and their politics? Bash they really believe that people who pay $100 or more than to hear them sing desire to hear them arrant political opinions? The audience pays 100s of thousands of dollars to see and hear a performing artist PERFORM. You desire to spurt politics, run for freakin office, you moron! When performing artists utilize a paid locale to play political relation they are abusing the paying audience, the venue, the patrons and everyone connected to their artistic performance. It's an inappropriate locale and inapproprite behaviour to voice your political viewpoint, you jerk! And they inquire why people boo.

Somebody pays a little fortune for their ticket to see them execute and ends up being subjected to a political sentiment from person who do billions of dollars a twelvemonth but doesn't have got got got a existent job, doesn't have to dwell in world and doesn't have a hint about the existent world! Yeah, right, state me about your political positions while I'm sitting here waiting to be entertained by you. That's why I came here and that's what I paid for isn't it, you ungrateful clueless idiot. You desire to spurt off, make it for free. Yes, free. Why don't you execute for free then you can state anything you desire to your audience. Then it's fair and balanced. Then the audience acquires what it pays for.

And what about the incident in Orange County, calcium where the performing artist do a remark about Linda Ronstadt and audience starts booing and the performing artist reacts with how United States used to be a place where you could openly discourse your views. Ha! Twenty thousand people and he's the lone 1 with a microphone! Open discussion, my ass.

So, a word to the wise. You desire to maintain performing, maintain making millions, maintain life in your phantasy world? Close up and sing.

Tribal tattoos have got been practiced for thousands of years. Modern people still acquire them done for many grounds such as as to belong to a modern 'tribe' even if they make it on a subconcious level.

Getting tattooed was also seen as a religious rite of transition into adulthood. A belief travels that if a miss can't take the hurting of tattooing, she is un-marriageable, because she will never be able to cover with the hurting of kid birth. If a male child can't cover with the hurting he is considered to be a bad hazard as a warrior, and could go isolated from the tribe.

Some crude folks utilize tattooing as a religious rite of societal status. The Maori, of New Seeland usage tattooing primarily for this purpose. To the Maori, a person's Moko designings enhanced their prestigiousness and show passage from one societal position to another. At its peak level, Moko designings proclaimed the sacredness of chieftanship.

The Hawaiians are outstanding among people who have got specific tattoo gods. In Hawaii, the mental images of the tattoo Gods are kept in the temples of tattoo priests. Each tattoo session gets with a supplication to the tattoo Gods that the operation might not do death, that the lesions might mend soon, and that the designings might be handsome. Many modern American tattooist will state you, "When you should acquire a tattoo, the tattoo God will state you that it is time."

In the 1970's, American tattooing discovered primitive, tribal tattoos. People wanted simple designings with significance and they began copying designs, primarily from the islands of the South Pacific. In the past few decades, people of European stock began looking for tribal tattoos of their ain beginnings and created a new word form of tattoo commonly known as neo tribal tattoos.